#and some of them im so happy about !!! <3< /div> Explore tagged Tumblr posts

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[mipexch]

comic about v2 and the goal they'll never fully reach alongside a dissatisfying conclusion. intimate rivalry and all (alternative ending comic. V1 dies instead of V2 during 4-4. V2 is narrating. V1 is dead.)

[thefrsers]

OUTLANDER: 100th Episode Celebration with Sam, Caitriona, David and MBR onset(x)

[critter-covenant]

"ooooh thank you! Thank you! Thank you!!!"

They'd be good friends I like to thinmk

[humanmorph]

"[high pitched and tinny] Let’s dive in. Let’s dive in. It’s time to dive in. Get ready to [audio distorts and slows] dive. Diiive. Diiiiie…" (The Road to PALISADE 20: City Planning Department)

so that's what i've been working on for the past 2 weeks! i wanted to draw something for this intro ever since i first listened to it (as a companion piece to my other gur drawing, though it of course ended up being way bigger in scale), but it only really gripped me about halfway through PALISADE ep 18. the next morning after that i listened to this narration on repeat for about 45 minutes and then made a big sketch on 4 sheets of paper at my desk at work.

anyways, i haven't listened to the new episode yet but i think i'm probably ready for whatever they're gonna throw at us with the next sortie. i'm gonna believe, against it all, in millennium break. for gur

(i recommend listening along while scrolling! + transcript btw. if anything is hard to read)

[carnivalcarriondiscarded]

Frank! fantasy flavor!

rambles:

i really wanted to blend that monk-class inspiration w/ Frank's personal vibe... i like to think that i Succeeded!

i turned his tie into a sort of brooch since, yk. bowties aren't all that Fantastical. they miss the style. also i think they'd be more comfortable with something smaller since he's very active and needs a wide range of maneuverability

i bet Eddie or someone wheedled them into adding the leather shoulder pauldrons - leather to keep it a bit more flexy, and also. it just looks Cool!

figuring out what would replace his vest was tough. i didn't want them to be entirely unprotected, but i couldn't give him straight armor. though i will admit! a sort of tight-fitting crop top was Considered! but i landed on a gambeson vest as the best fit - comfortable, flexible, a Vest, while providing some level of protection! also, gambesons are quilted, which fits Frank's diamond-checkered vest!

ive already mentioned that one of my favorite outfit things is Flowy Pants Tucked Into Boots, so... that choice wasn't very character driven. except the boots are a tall ankle wrap - for that extra stability and strength! their shoes are pretty flexible and are only a few steps away from being slippers.

and the half-skirt - open skirt? - thing (still don't know what its called) is purely some self indulgence. i think Frank looks great in skirts!! also imagining him Throwing Down w/ the added flair of the skirt... damn. it'd probably help confuse enemies too - what're they gonna do next? who knows! the skirt is in the way and adding extra Movement!

i like to think that his knife is either in a sheath attached to the back of the belt, or they have it on their thigh (under the skirt) like Wally's bag. he probably never uses it... punching is the way to go for Frank methinks. it's probably reserved for cutting ropes and fruit

speaking of punching.... wrist wraps! inspired by boxing gauze! pads his knuckles, keeps his wrist compressed, its the best choice for physical combat. though the wrapped knuckles probably always have blood showing through anyway... or no yeah it's mostly other people's blood...

as for scars - Frank probably has quite the collection! i imagine that they've been picking fights since a young age, and in such a dangerous world he probably got hit a Lot until they learned how to hit back. and hit back Well. still, i wanted to give him a cool face scar with a very lame backstory - a book with a crisp, sharp spine corner fell off a high shelf and bonked them in the face at juuuust the right angle <3 he probably stays very fucking quiet about it which makes everyone think there's some intense traumatic backstory behind it. there isn't. Frank's just embarrassed.

closing note: i imagine that Frank has zero magic. literally none. cannot wield it for shit cannot utilize it. he's just like Howdy fr

[spinostarz]

THE WELL AND THE LIGHTHOUSE PMV/ANIMATIC

very very jean valjean centric because i love him and he deserves the world <3 im not sure if pmv or animatic would apply better to this, but either way, i hope you enjoy it!

[gunsatthaphan]

~ Monthly BL Breakdown: June 2024 ~ 

☀️ Happy July!!! 🧴

Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post! 

New breakdowns are coming at the end of every month - feel free to add stuff! -> previous breakdowns

What came out this month? (green = seen/currently watching)

🌟 My Love Mix-Up - June 6th (Thailand)

🌟 Love Sea - June 9th (Thailand) ✅

🌟 SunsetxVibes - June 15th (Thailand)

🌟 Blue Boys Part 2 - June 15th (South Korea)

🌟 His Man Season 3 - June 21st (South Korea)

🌟 Marahuyo Project - June 24th (Philippines)

🌟 The Rebound - June 26th (Thailand)

🌟 I Hear the Sunspot - June 26th (Japan)

🌟 Sparks Camp Season 2 (Dating Reality Show) - June 26th (Philippines)

🌟 The Trainee - June 30th (Thailand) ✅

Monthly Likes / Dislikes

❣️ - 👎🏻 -

New series & movie announcements

🎥 Islanders - Date TBA (Taiwan)

🎥 Desire (Omegaverse) - Date TBA (China)

🎥 Khemjira - Date TBA (Thailand)

🎥 See Your Love - Date TBA (Taiwan)

🎥 Happy Ending (starring JeffBarcode) - Date TBA (Thailand)

🎥 Sugar Dog Life - Coming August 2024 (Japan)

🎥 Let Free the Curse of Taekwondo - Date TBA (South Korea)

🎥 Allure of the Siren - Date TBA (Thailand)

🎥 Soulmate (starring Taec-yeon from 2PM) - Date TBA (South Korea)

🎥 Secret Love - Date TBA (Thailand)

Other news from the BL world

❗️ Bible W. and Jess J., the leads of the upcoming BL 4 Minutes, starred in a music video - short film by the Thai band Getsunova called Spaceless. The film was released on June 4th, the music video was released on June 6th.

❗️ Jeff S. and Barcode T. were revealed to star in the upcoming BL Happy Ending, along with Mike Angelo and Jorin K. A first trailer was released on June 15th. The show is produced by Jeff S. himself.

❗️ Actor Chimon Wachirawit withdrew from the upcoming GMMTV BL Perfect10 Liners due to his struggle with mental health issues. He was previously hospitalized and pulled back from various events, such as the LOL Fanfest and multiple fanmeetings. He released a statement on June 24th saying he has been suffering from depression and is currently receiving treatment. On June 27th, GMMTV issued a statement announcing a hiatus in Chimon's career and the end of the PerthChimon ship as a result. They have mutually agreed to end their work as a pair due to Chimon's condition and will continue to pursue separate career paths. Chimon will return to acting once his treatment is finished.

❗️ It was revealed that the upcoming Taiwanese BL First Note of Love will be a collaboration with the Thai production company StarHunter. The show stars Charles Tu (HIStory 4) and Michael Chang (My Tooth Your Love) as well as Jame Kasama (GenY) who plays a Thai singer. The show is set to premiere in August.

❗️ The production company Be On Cloud announced a lineup event titled "The Next Altitude", which will be held on July 9th. It will feature upcoming projects such as series and various events. Further details are unknown.

❗️ Following the legalization of same-sex marriage in Thailand, the production company StarHunter announced a reality series surrounding the marriage of actors Porsch A. and Arm S. titled "Porsch-Arm The Wedding". The show will follow the pair on their path to their wedding and is thus the first Asian LGBT+ marriage themed reality show. In light of the bill-pass, fellow actors Both N. and Newyear K. also celebrated their engagement after 10 years of being together.

Upcoming series & movies for July

👉🏻 Takara no Vidro - July 1st (Japan)

👉🏻 This Love Doesn't Have Long Beans - July 5th (Thailand)

👉🏻 The Boyfriend (Gay Dating Reality Show) - July 9th (Japan)

👉🏻 The Next Altitude (BOC lineup event) - July 9th (Thailand)

👉🏻 Century of Love - July 10th (Thailand)

👉🏻 Meet You at the Blossom - July 11th (China/Thailand/Taiwan)

👉🏻 Heavens x Candy - July 13th (Japan)

👉🏻 Sky Valley - July 20th (Philippines)

👉🏻 4 Minutes - July 26th (Thailand)

👉🏻 Battle of the Writers - July 29th (Thailand)

[littlelightfish]

I will scream at every non-romantic post I see about these guys. Writers be not afraid. I will love their non-romance fics. I'll blow up your coment section all alone if I have to. I will find you. Artists be not afraid. I will reach tag limit on your artpiece. If I see it at least. And if I don't, I will eventually. Or I'll try. Or @me so I won't fail you.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[crescentfool]

the persona 3 protagonist 25th anniversary nui in food appliances!

[brittie-frog]

I'm so down bad for Maddox and Ashlyn that my three favourite scenes are:

3. The Redlyn breakup - the chillest break up, Red supporting Ashlyn going after Maddox and the most insane storyline of Red realising he's bi because he kisses Seb

2. Just the entirety of Maddox during opening night - having an existential breakdown over your love life that you break the sound controls and then just give up on your stage manager duties and disappear (probably to help quinn)

1. The confession - a scene I want on repeat: the explanations of how afraid they are of how much they like the other then the "should we just stay friends?" Before having such a love induced make out their just completely ignore Carlos being there. (Also Maddison giving up and telling Maddox to stop coming back to her when she clearly likes Ashlyn... my baby just needed that push)

I love all my queer children but these two are the wlw so I love them just slightly more.

[snixx]

multishipping is a superpower you neeeeeeeeeeed to have when you love getting into shitty gay media with found family because OF course they're going to make an incest map of all the characters and your otp will almost definitely not be endgame. of course they're going to pair the main guy and girl together as endgame just because. and I mean you COULD be a hater about it and curse the writers and throw a four year long fit but it's so much more fun when you just make your peace with the fact that this was always going to happen and pretend everyone is in a happy little polycule as they go through 18575879 different pairings you know aren't going to last because fandom and just the experience of being a fan is so much more fun that way!!!

[flufflecat]

another day, another addition to my beautiful monster

[verflares]

at this point i have a good mental image of how i want botw/totk link to look. but until i actually draw a ref for him everytime i draw his scars out its an exercise in "fuck it we ball"

[carnivalcarriondiscarded]

Lights Out dream team - scribbled Silly Style. low quality, even